Francesca Dotta was born in 1978 in Pordenone, Italy. Interested in the Art, especially in photography, multimedia and Internet. Since 2004 she have participated to different Exhibitions in which she has obtained the recognition of big personalities of the world of the Art, among them the teacher Lanfranco Colombo, and since 2005 her name is present in the files of the foundation Bevilacqua la Masa in Venezia. She begins very early with the target and black, mainly in internal spaces in those that she makes stand out the effects between lines and lights. However she doesn\'t forget the external spaces in which it proposes particularly interesting marks for courts and chromatisms. With their lens it transforms the interpretive paper of any common element, transforming it to protagonistic with a decoded vision, imaginative, ironic and mainly view the reality from another point of view. She captures the human figure in an alternative way, without stereotype and view like main character-interpret of the same life. Each image represents a moment lived before its objective but always captured with a sensation of serenity and of “human” irony. Rarely she uses and applies the digital techniques that allow her to make a light manipulation and retouch of an image. Each one of the pictures of Francesca is a perception of themselves, of their philosophy of life, of so she\'s able to enter in each one of the chosen elements as main characters, off how she lives each one of the moments immortalized with her lens and of like she can see the same reality from a perspective of fantasy and creativity.

He specialises in nude and erotic work and have found that there is a considerable market for the more mature woman. They are easier to work with and are far more confident about their sexuality. Whilst it may not have the sleekness of a younger model the body of mature women can be appreciated more by those who are looking for character rather than perfection.

\'The ‘Image Machine’ shifts between virtual worlds and the one we accept for real, his work is commenting our western culture and ‘pretended’ common values. But above all it’s an experiment, artistically, technically and socially, often light hearted, underneath sometimes deathly serious.\'...well, that\'s what one reviewer said of his \'work\'. What he does varies between \'traditional\' photography and digital \'art\' . He build 3D scenes which vary from comic-book to a biblical style, he composite these with digital photos to create surreal worlds for his main model, the beautiful Divine G, in who’s honour the site exists. He consider hisself a true amateur on a quest to learn and improve.

She generally trys to find abstract structures in common, everyday sights and objects. She seeks new meanings and visual relations in order to create an independent formal language. To find material for creating this new reality she is searching old and abondoned factories, forgotten urban areas, streets and buildings of Cracow and other Polish towns and cities.

Working mostly with traditional and digital drawing and painting, collage and photography. Rather than usual painting-approach, he prefers to «tell the stories» within his pictures, without words. He do not know, whether his art/style is or is not unique, he would rather hear judgement from others.

Kevin Flint is a Los Angeles based artist, designer, and photographer who specializes in the dark, the absurd, the fetishistic, the sharp and pointy, and is especially adept at talking describing himself in the 3rd person.

Her artwork is based on movement. Movement is a mode of being, the condition of a potential being actualizing itself. Life is the power of self-movement, or of movement from within. Movement is what makes the world exist. It creates all the things we can see. All we make is because our mind and body move. And the painting can make itself by the movement of its elements. Oil, varnish, resin, painting and water mix and split to make up the final painting. About her, she can say that art is her reason for living, in fact it is not only her job or her passion. Art is what she is and what she feel. It is an inseparable part of her being.

Portrais and nudes by Alexander Magedler.

Contemporary Dark & Freakish Art...Dark Illustrations in black & white, freakish Comics, weird collages, underground paintings...He loves heavy obscure contrasts....the contrast between the black against the white...

Mexico in photography, architecture, nature, landscapes, and more by Rainer Ehlert.

His entire work is based on a simple idea . He is trying to show the world that the place they are looking for, that piece of heaven, is right next to them. You can find beauty in simple things like a tree for example. You only have to look for.

For many years her camera has always been a constant companion. Photography is a unique tool, a great form of artistic expression to seize very individual moments and to give them her own personal view. Fascinated by other countries and nations, she has been travelling to great places all over the world and was gifted with many new impressions. None of her photographies is manipulated or arranged in any way, consciously they naturally reflect what has been offered to her in that very special moment. Often she focus on details and close-ups, like to take them out of their original context, give them a new identity and meaning. Her work is also influenced and inspired by light reflections, colour contrasts and outlines.

For many years he worked as a jazz musician, then he put his bass guitar aside, and devoted himself intensively to photography and 3D Computer graphics which often focus on small, everyday details. He usually photographs 'available light' and only rarely makes use of artificial lighting. Alongside these the technically perfectly manipulated pictures stand solo.

He is an Italian photographer. His style is simple, focus mainly on balance and symmetry of the surroundings in conjunction with people. He like the shape of the female body as much as the sensual and delicate details. In current photographic work he try to bring up the emotion and erotic sensuality with different lighting conditions to complement the curvature of the model\'s body adding a perfume of unreality and magic.

Various genres of photography: Architecture, industrial, landscape, city, flowers and artistic nudes.

Sylvie Blum known for her surreal images of the nude form and her cutting-edge fashion photography. Sylvie Blum lives now in Los Angeles USA, she once was a famous model and muse of the German photographer Guenter Blum.

His style of making photos. He has used special filters, special lenses, objectives, natural effects such as smog, light and blends. He likes bodyart and extreme posing with bodyart and more that one light sourses.

Curtis does not feel his photography is unique. There are very few who present the female form the way that he does consistantly! He invented the term FigureNUDE to clarify what he tries to do. A FigureNUDE is not erotic. It is sensual. The subject does not interact with the viewer. A FigureNUDE is not just a naked figure. The term Fine Art Nude can apply but is a much more generalized term for photographs. Photographs are 'painting with light' and a FigureNUDE uses a much finer brush. Curtis also shoots images that are not FigureNUDE art. Some on purpose and some on accident! His photos are done from a wheelchair. Could you guess? You can't if he created art.

My continuing love of photography. My own personal work, eclectic and beautiful (I like to think). I make no distinction in the subject matter of my work, as the whole represents itself. By Joseph Breaux.

He started out to take pictures, but during the pilgrimage he did not has the conscience to set his camera between hisself and the picturesque scenery: he becames a part of it. He becames one of God’s uncountable living creatures in the world. He managed to take some pictures finally, though – when the inner ecstasy conquered his thoughts. At dawn the still stone houses, the quiet balconies and all the deserted streets suddenly came to life by the attack of light and shadows as playing with each other. Shadows – that move, darken and lighten, disappear and appear, and that are harsh, frightening, and playful – are the inaccessible proof of the material and the light, and they are also the immaterial ambassadors of our materialised world.